“AND WHAT DOES ANYTHING AT ALL MATTER?”: Asceticism and the Hermeneutics of Comfort in Hopkins’s Terrible Sonnets
On one account, the life and work of Gerard Manley Hopkins reveal Catholic asceticism as a grim, life-denying regimen, a form of ethical extremism inimical to the poet’s psychological comfort and his creativity. In Hopkins’s latter years, runs the logic, stringent self-denial conduced to depression...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2014
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| Dans: |
Religion and the arts
Année: 2014, Volume: 18, Numéro: 3, Pages: 325-348 |
| Sujets non-standardisés: | B
Gerard Manley Hopkins
Terrible Sonnets
asceticism
Tractarianism
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| Accès en ligne: |
Volltext (Verlag) |
| Résumé: | On one account, the life and work of Gerard Manley Hopkins reveal Catholic asceticism as a grim, life-denying regimen, a form of ethical extremism inimical to the poet’s psychological comfort and his creativity. In Hopkins’s latter years, runs the logic, stringent self-denial conduced to depression and to poetic chastening, with the so-called Terrible Sonnets exemplifying both. This essay, however, contends that Hopkins’s asceticism implemented a hermeneutic productive of both psychological recuperation and literary ingenuity. What Hopkins sought was “comfort” in an archaic sense of that word, as goal-oriented and ethical. Such comfort, as the set of objects and affects associated with asceticism, is thematized throughout the Terrible Sonnets. Tracing the theme will serve to draw out the recuperative hermeneutic of Hopkins’s asceticism, which redeems Hopkins’s life in Dublin and establishes the consistency of these late sonnets with his seemingly more characteristic earlier work. |
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| Description matérielle: | Online-Ressource |
| ISSN: | 1568-5292 |
| Contient: | In: Religion and the arts
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| Persistent identifiers: | DOI: 10.1163/15685292-01803002 |