Languages of trauma: history, memory, and media
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Intro Introduction: Languages of Trauma -- PART ONE. Words and Images -- 1 “A Perfect Hell of a Night which We Can Never Forget”: Narratives of Trauma in the Private Writings of British and Irish Nurses in the First World War -- 2 Religi...
Beteiligte: | ; ; |
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Medienart: | Elektronisch Buch |
Sprache: | Englisch |
Subito Bestelldienst: | Jetzt bestellen. |
Verfügbarkeit prüfen: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Veröffentlicht: |
Toronto
University of Toronto Press
[2021]
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In: | Jahr: 2021 |
weitere Schlagwörter: | B
post-traumatic stress disorder
B War in literature B memory B trauma in cinema B Psychic trauma in music B World War I B Memory in motion pictures B media B psychiatry B psychology B trauma and medicine B medical humanities B War films History and criticism B Memory in literature B resilience B SOCIAL SCIENCE / Media Studies B shell shock B trauma B Aufsatzsammlung B war and trauma B Psychic trauma in motion pictures B history B Psychic trauma in literature B Memory in art B Psychic trauma and mass media B Psychic trauma in the theater |
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Zusammenfassung: | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Intro Introduction: Languages of Trauma -- PART ONE. Words and Images -- 1 “A Perfect Hell of a Night which We Can Never Forget”: Narratives of Trauma in the Private Writings of British and Irish Nurses in the First World War -- 2 Religious Language in German Soldiers’ Narratives of Traumatic Violence, 1914–1918 -- 3 Languages of the Wound: Finnish Soldiers’ Bodies as Sites of Shock during the Second World War -- 4 Efim Segal, Shell-Shocked Sergeant: Red Army Veterans and the Expression and Representation of Trauma Memories -- 5 The Falling Man: Resisting and Resistant Visual Media in Art Spiegelman’s In the Shadow of No Towers (2004) -- PART TWO. Music, Theatre, and Visual Arts -- 6 Performing Songs and Staging Theatre Performances: Working through the Trauma of the 1965/66 Indonesian Mass Killings -- 7 Some Things Are Difficult to Say, Re-membered -- 8 Performing Memory in an Interdependent Body -- 9 Memory and Trauma: Two Contemporary Art Projects -- PART THREE. Normalizations of Trauma -- 10 Between Social Criticism and Epistemological Critique: Critical Theory and the Normalization of Trauma -- 11 The New Normal: Trauma as Successfully Failed Communication in Nurse Betty (2000) -- 12 The Exploitation of Trauma: (Mis-)Representations of Rape Victims in the War Film -- PART FOUR. Representations in Film -- 13 Translating Individual and Collective Trauma through Horror: The Case of George A. Romero’s Martin (1978) -- 14 Aesthetic Displays of Perpetrators in The Act of Killing (2012): Post-atrocity Perpetrator Symptoms and Re-enactments of Violence -- 15 Perpetrator Trauma and Current American War Cinema -- Coda: Climate Trauma Reconsidered -- Contributors -- Index This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are frequently beyond the sphere of medical, legal, or state intervention. To address these different, often intertwined modes of language, the contributors provide a variety of disciplinary approaches to foster innovative debates and provoke new insights. Prevailing definitions of trauma can best be understood according to the cultural and historical conditions within which they exist. Languages of Trauma explores what this means in practice by scrutinizing varied historical moments from the First World War onwards and particular cultural contexts from across Europe, the United States, Asia, and Africa – striving to help decolonize the traditional Western-centred history of trauma, dissolving it into multifaceted transnational histories of trauma cultures |
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Physische Details: | 1 Online-Ressource (424 p), 43 b&w illustrations, 3 b&w maps |
Medienart: | Mode of access: Internet via World Wide Web. |
ISBN: | 1487539401 |
Zugangseinschränkungen: | Restricted Access |
Persistent identifiers: | DOI: 10.3138/9781487539405 |